Whereas Gibson sunbursts usually form a teardrop shape on the guitar’s front and back, Epiphones follow the body’s outline with an even band of colour all the way round. The Frontier is a great all-rounder for almost any occasion – but on stage it will really look the business!įret markers are slotted rectangles in mother-of-pearl, and the body is edged front and back in multiple cream and black binding. Of course, the Frontier stands out visually due to that striking pickguard, with what Gibson calls a ‘lariat and cactus’ themed engraving. Tuners are gold-plated Gotoh takes on the Kluson ‘keystone’ style found on so many Gibsons – and indeed the Frontiers that the company produced. As usual with electrified acoustics, there’s an endpin jack, plus there’s a second pin on the guitar’s heel so the Frontier comes stage-ready. It also has the excellent LR Baggs VTC under-saddle pickup with soundhole-mounted volume and tone controls. The top is solid Sitka spruce with scalloped bracing, the fingerboard Indian rosewood, with the nut and bridge saddle both in bone. What a handsome thing! Built in Gibson’s acoustic facility in Montana, the Frontier features solid flamed-maple sides and back.
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